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John Latham Estate artwork

John Latham

For Latham all artworks were considered events and were activated as such through diverse processes ranging from spraying, chewing, shredding or spitting to simply declaring.

John Latham (1921–2006) was a pioneer of British conceptual art, who, through painting, sculpture, performances, assemblages, films, installation and extensive writings, fuelled controversy and continues to inspire. A visionary in mapping systems of knowledge, whether scientific or religious, he developed his own philosophy of time, known as ‘Event Structure.’ In this doctrine he proposed that the most basic component of reality is not the particle, as implied by physics, but the ‘least event,’ or the shortest departure from the state of nothing. The entire universe is to be viewed as a system of events in time, rather than objects in space. Thus, for Latham all artworks were considered events and were activated as such through diverse processes ranging from spraying, chewing, shredding or spitting to simply declaring. For instance, his seminal ‘skoob’ happened in 1966, while Latham was teaching at St Martins School of Art. Latham borrowed a copy of Clement Greenberg’s recently published art history opus, Art and Culture, from the school’s library, and invited his students to join him in a ritualistic ceremony: the chewing and spitting out of select pages of the book. Latham decanted the vestiges into a phial, doused it in acid and yeast, and fermented it for a year, then returning the liquid he described as ‘Essence of Greenberg’ to the school. The Spit and Chew event poked at Greenberg’s emphasis on space and form, which was contradictory to Latham’s focus on the function of time in art, and cemented itself as a key example of conceptual art. The resulting artwork: Art and Culture (1966-69) is now owned by the Museum of Modern Art in New York. Whether in his early spray paintings and One-Second Drawings, to the book reliefs he created in the 1960s, the roller paintings of the 1970s and the late glass towers works which incorporated bits of all theorems, John Latham maintained steadfast devotion to exploring the most complex cosmological ideas and questioning the traditional notions and structures of art, science and philosophy.

“The belief system is a rock-bottom source of non-negotiable problems of the day.”

Past Exhibitions

  • Lisson Street: Lucy Raven | Richard Long | John Latham

    Lisson Street: Lucy Raven | Richard Long | John Latham

    London, 2026

    gallery

  • Controlled Burnings: Hiller, Latham, Schneemann

    Controlled Burnings: Hiller, Latham, Schneemann

    New York, 2023

    gallery

  • Portals

    Portals

    London, 2022

    gallery

  • John Latham: Skoob Works

    John Latham: Skoob Works

    New York, 2018

    gallery

  • John Latham: Spray Paintings

    John Latham: Spray Paintings

    London, 2016

    gallery

  • John Latham / Lee Ufan

    John Latham / Lee Ufan

    Milan, 2012

    gallery

  • John Latham: THE LISSON GALLERY DOES NOT EXIST FOR 100 YEARS

    John Latham: THE LISSON GALLERY DOES NOT EXIST FOR 100 YEARS

    , 2010

    gallery

  • God is Great: Douglas Gordon,
Anish Kapoor, John Latham. Curated by David Thorp

    God is Great: Douglas Gordon, Anish Kapoor, John Latham. Curated by David Thorp

    , 2005

    gallery

  • John Latham: God is Great and Belief Systems as Such

    John Latham: God is Great and Belief Systems as Such

    , 2005

    gallery

Other artists

John Latham - Lisson